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Give Your Valentine Our Special Box Set

Valentine’s Day is less than a month away. Started that love letter yet? You could be forgiven for putting it off: even Roland Barthes felt that “to try to write love is to confront the muck of...

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The Screen of Enamoration: Love in the Age of Google

Today, Roland Barthes is among the less trendy of the famed French theorists of the sixties and seventies, or at least one of those considered less germane to our current moment. While revivals of...

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Narcissism and Pleasure: An Interview with Yvonne Rainer

Yvonne Rainer, still from Privilege, 1990, 16mm, 103 minutes. © Yvonne Rainer. Courtesy of Video Data Bank, www.vdb.org, School of Chicago. The following is excerpted from Interviews on Art, a...

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A Study of Kanai Mieko

Photo: Kuwabara Kineo.   Kanai Mieko writes in several genres: poetry, fiction, and criticism—most notably on film and photography. We, who know no Japanese, will probably never read her criticism on...

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Sound Tracks: An Interview with Simone Forti

Simone Forti, 2012. “Someone must have handed me a piece of flexible tubing from the hardware store and shown me that I could play it, the pitch rising and falling according to how hard I’d blow...

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The Life and Times of the Literary Agent Georges Borchardt

  There’s a good chance Georges Borchardt was responsible for shepherding at least one of your favorite writers to publication. After immigrating to New York from war-torn France at age nineteen in...

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Staff Picks: Creek Boyz, Mechanical Chickens, and Trash Heaps

  Jorja Smith’s debut full-length, Lost and Found, has taken up residence in my mind since its release last week. Between tracks, the twenty-one-year-old R & B singer wrestles with her self-worth...

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The Spectacle of Women’s Wrestling

Vintage newspaper photograph of women wrestlers.   “The virtue of wrestling is to be a spectacle of excess,” Roland Barthes begins—but we are wary of excess in women, wary of too much flesh, too much...

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In Praise of the Photocopy

Essays by Roland Barthes marked with fluorescent highlighters; poems by Carlos de Rokha or Enrique Lihn stapled together; ring-bound or precariously fastened novels by Witold Gombrowicz or Clarice...

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To All the Introductions I’ve Loved Before

Konrad Kachelofen’s printing of Eclogue of Theodulus, 1492. Public domain. “I never read introductions,” says Rose, the younger of my two daughters. She thinks it over for a second, frowns; the...

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